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उंबरा: at an ancestral threshold

Gallerie Nvya is pleased to present 'ऊंबरा: at an ancestral threshold', a solo show of recent works by artist Rohit Suresh Varekar.

101-103, Square One Designer Arcade, C-2, District Centre, Saket, New Delhi-110017

Date: 10 Jul 2026 to 31 Aug 2026

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ABOUT THE EXHIBITION

Discover उंबरा: at an ancestral threshold, a poignant solo exhibition by Rohit Varekar that reimagines the disappearing, fragile worlds of India’s Konkan region. Sparked by the devastating 2021 regional floods, Varekar works with reclaimed architectural fragments—doors, beams, and pillars salvaged from collapsed mud homes—to explore what architecture remembers after human presence recedes. Central to the exhibition is an immersive installation of double-panel doors inscribed with ecological warnings inspired by environmentalist Madhav Gadgil. By fusing contemporary rural motifs with weathered timber, Varekar transforms structural debris into a powerful witness to migration, climate precarity, and rapid urban transformation.

In this evocative showcase, the उंबरा—the traditional raised threshold—becomes a profound metaphor for a society suspended between survival and disappearance. Rather than romanticizing the vernacular, Varekar treats reclaimed wood and wax-infused drawings as archaeological surfaces holding compressed traces of ritual, labor, and time. Through deliberate, unpolished hand-carvings, domestic objects, regional foliage, and sedimented landscapes emerge directly from the timber’s grain. The exhibition positions these fragile, enduring relics between sculpture and ruin, inviting viewers to stand at the threshold where ancestral memory intimately collides with a shifting contemporary landscape.

Throughout उंबरा: at an ancestral threshold, the threshold ultimately becomes more than a physical structure. It becomes a way of thinking about transition itself — about standing between histories, between generations, and between ways of living that are simultaneously disappearing and being remade. Through acts of carving, reconstruction, and material remembrance, Rohit Varekar transforms discarded architectural fragments into living repositories of memory, asking how one might continue to inhabit inherited worlds within a rapidly shifting landscape.

Artworks

Back to Memory I

Found material, wooden frame 48" x 4" x 3"

Back to Memory II

Found material, wooden frame 46" x 4" x 3"

Back to Memory III

Found material, wooden frame 48" x 4" x 3"

Entact

Using reclaimed wood from collapsed mud houses and carved 75" x 3" x 6"

Floating House

Carved on reclaimed wood 38" x 22"

Heritage in flux I

Found material, wooden frame 13" x 3" x 5"

Heritage in flux III

Found material, wooden frame 8" x 3" x 5"

Holding what remains

Assemblage using reclaimed wood from collapsed mud houses and carved 120" x 18" x 20"

Transition in between

Using reclaimed wood from collapsed mud houses and carved 47" x 18" x 6"

Transition in between

Using reclaimed wood from collapsed mud houses and carved 90" x 4" x 3"

Walls remember even when we forget

Using reclaimed wood from collapsed mud houses and carved 17" x 27" x 2"

Walls remember even when we forget

Using reclaimed wood from collapsed mud houses and carved 17" x 27" x 2"

Water still holds

Drawing on wood, color pigments, paraffin wax, soy wax 15" x 9" (Set of 9 works)

Water still holds

Drawing on wood, color pigments, paraffin wax, soy wax 15" x 9" (Set of 9 works)

Water still holds

Drawing on wood, color pigments, paraffin wax, soy wax 15" x 9" (Set of 9 works)

Water still holds

Drawing on wood, color pigments, paraffin wax, soy wax 15" x 9" (Set of 9 works)

Water still holds

Drawing on wood, color pigments, paraffin wax, soy wax 15" x 9" (Set of 9 works)

Water still holds

Drawing on wood, color pigments, paraffin wax, soy wax 15" x 9" (Set of 9 works)

Water still holds

Drawing on wood, color pigments, paraffin wax, soy wax 15" x 9" (Set of 9 works)

Water still holds

Drawing on wood, color pigments, paraffin wax, soy wax 15" x 9" (Set of 9 works)

Water still holds

Drawing on wood, color pigments, paraffin wax, soy wax 15" x 9" (Set of 9 works)

Water still holds

Drawing on wood, color pigments, paraffin wax, soy wax 15" x 9" (Set of 9 works)

What is left at the doorstep

Assemblage using reclaimed wooden door, color pigments, paraffin wax, soy wax 78" x 96"

What season leaves behind I

Using reclaimed wood from collapsed mud houses and carved 80" x 5" x 3"

Where losses finds color I

Assemblage using reclaimed wooden door, color pigments, paraffin wax, soy wax 30" x 72"

Where losses finds color II

Assemblage using reclaimed wooden door, color pigments, paraffin wax, soy wax 74" x 32"

You may not see me

Using reclaimed wood from collapsed mud houses and carved 96" x 7" x 5" (Each)

You may not see me

Using reclaimed wood from collapsed mud houses and carved 96" x 7" x 5" (Each)

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