ABOUT THE EXHIBITION
Fragments of Fantasy: Allegories of the Self
In her latest exhibition, self-taught artist Shiffali Wadhawan invites viewers into her introspective journey through canvases, sculptures, and installations. At 46 years old and embracing midlife, she seeks to rediscover her authentic self during this pivotal moment in her life. With over two decades of experience as a practicing artist, Wadhawan has participated in numerous group exhibitions and art fairs across the country, as well as some key international participations. Her third monographic show, comes after two decades, marking a significant milestone. Through her art, she not only expresses her identity but also embarks on a quest for self-discovery.
Whimsical and vibrant, her works often reflect her deep affection for animals, particularly her horse, Quintino, whom she describes as her lifeline. References to tigers, leopards, lions, deer, flamingos and zebras are allegories to an introspective self. Each piece serves as a metaphor for her inner self, rich in symbolism, often embodying tranquillity and the promise of renewal. Wadhawan’s playful use of colour and imagery highlight themes of time, chance, and feminine power. She reflects on her past with no regrets, viewing life as a game of choices rather than a predetermined hand. With a refusal to dwell on the past, she hints at future potential and the proximity of opportunity.
Her dexterity with various media is evident in her sculptures as well as the installation of the Dream Catcher. Her work with brass, copper, and wood matches the precision found in her traditional canvases. The backgrounds are executed flawlessly, featuring bright, vibrant hues of acrylic on unframed linen canvases. Over these, she layers oil paints to enhance the luminescence of the subjects, meticulously capturing all details, each strand of fur, or wings of a miniature birds, the flowers and the effect of light on them, all requiring numerous layers of paint. The process of painting itself thus becoming meditative, transforming into a deeply reflective exercise, and lending an intuitive quality to her art.
Wadhawan’s aspirations resonate with the strength of David and Goliath. Yet she also acknowledges the fragility of time. The juxtaposition of the fragility with strength reiterates the power of femininity in her work. She emphasizes the importance of balance, beauty, and support throughout her work, never once letting go of the playfulness. She engages in dialogue with her dreams. There is a deep comfort with self-reflection. It embodies the duality of locked and unlocked potential over the passage of time measured only as it may be in fragments of fantasy….
– Priya Pall